By Eva McGovern
Aswad Ameir’s recent solo show X at Galeri Chandan evokes a heady panoply of experiences with a thematic focus on music and politics through a confident sampling of pop culture. Musicians, images of conflict, song lyrics and the artists own image entertain and confuse viewers in this circus of visual art.
by Yusuf Martin
The Malaysian National Art Gallery – Balai Seni Lukis Negara, which might otherwise be called a museum of modern art, currently hosts a retrospective of one of Malaysia’s most esteemed artists – Syed Ahmad Jamal; celebrating his eightieth birthday, and almost sixty years devoted to art and art criticism.
By Eva McGovern
Exhibition Talk at 2pm 14 November, 67 Tempinissatu Come join us to talk about painting, portraiture and much more!
by Sylvia Degiacomi
Exhibition Profile: ‘What Goes Up’ @ Shalini Ganendra Fine Arts
An exhibition showcasing the works of four award-winning local artists, at the gallery that is (in)famous for being by appointment only.
by ARTERI
What is the function of the contemporary portrait painting in Malaysia? How does it reveal how we see ourselves and those around us? Stop by 67 Tempinissatu and find out for yourself.
By Eva McGovern
Review: Liew Kwai Fei’s Paintings for All Ages / Paintings with Extended Space @ No 19 Jalan Berangan
Liew Kwai Fei’s abstract conceptualisations around colour theory, the purity of form, and objectivity.
By Kelvin Chuah
Exhibition Review: When was the last time contemporary Vietnamese Art was featured in its entirety in Kuala Lumpur? I must confess that I am no expert in Vietnamese contemporary art. In a way, I was looking forward to what this exhibition had to offer, in terms of contemporary practice. Man, was I blown away.
By Erna Dyanty
Exhibition Review: June 2009, brought Nizam Abdullah’s first solo exhibition at the Annexe Gallery, Kuala Lumpur, entitled threesixfive ME, where he displayed new series of works with a theme that incorporates nothing but him self.
by Suraya Warden
Exhibition Review: Within eleven works of art, in a small space, under fluorescent lighting can be held vision, talent and active potential. Al Cruz at Richard Koh Fine Art.
by Suraya Warden
Exhibition Review: With Chin Kon Yee: Reality in Wonderland, Wei-Ling Gallery continues its current winning streak of solo shows.
By Tintin Wulia
Blog entry by Indonesian artist Tintin Wulia sharing her 2009 performance project in Melbourne, ‘terra incognita et cetera’ which explores issues on territories, collective play and painting.
By Suraya Warden
Exhibition Review: Artistic mapping is a cool idea. It is visually fun and has a point; one that works extremely well for the South Asian art scene as ‘Cartographical Lure’, the previous exhibition at Valentine Willie Fine Art, proves.
By Suraya Warden
Exhibition Review: Yes, four artists are showing at the current TAKSU exhibition, but not all of them are ‘Fab’.
By Haseena Abdul Majid
Artist Profile: Justin Lim
Looking at a painter compelled to question existence.
by Ooi Kok Chuen
In his statement in the 1994 MWS catalogue, Mansor reflected: “I feel my work reflects the melancholy, the serenity and the joyous life apparent in the village. My style of work is spontaneous, devoid of inhibitions to reflect my feelings.”