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While the three works on display can hardly be an adequate representation of the artist’s entire oeuvre, their spectacular nature offers a vivid illustration of Cai Guo-Qiang’s practice.
by Ho Rui-An
On Lost In the City, National Museum of Singapore: The works that leave the deepest impressions are those that articulately interrogate and contest its immediate surroundings, effectively constructing a new understanding of the tensions between a nation undecided about its existence and the museum that assumes its existence and documents its socio-historical consciousness.