by Haseena Abdul Majid
Haseena joins Mit Jai-Inn last Saturday as one of his guest audience for his 12 hour long social performance. These are notes and impressions from her participation
by Simon Soon
Mit Jai-Inn’s work is conscious about the history of painting in many ways. In a sense, there’s the utopian gesture that is paradoxically embedded in the destructive system of Mondrian’s oeuvre that Mit is unafraid to reference, using this goal as a way to explore a reductive style that transpires the nihilism of minimalist art and its subsequent absorption into high style furnishing.
by Simon Soon
Little has been said or theorised about conceptual practices in the region, much less of its history. Yet, this is what artist and research, Ringo Bunoan, sets out to do in ‘Archiving Roberto Chabet’, which is held in the Cellar Gallery and Basement B of University of Philippines Vargas Museum, from 3 March – 4 April 2009.