
The curator herself records a special message, luring us through a liminal doorway that will take us on a journey into a parallel universe!

BUKA BAJU: An open forum on performance art – what it is, what it isn’t, what people have done and would like to do, what is possible and what is just… like dat.

ARTERI will be taking a short break in the month of March for some improvements to the site! Watch this space and let us know what you think when we come back!

We play moderator at this Sunday’s ancillary event to the Rimbun Dahan artist residency exhibition, ‘High Tea at the Pleasure Garden’.

with Clarissa Chikiamco, Sooshie Sulaiman & Ho Tzu Nyen: ‘The question for me is whether the hang of APT is a strong form of dissonance or a limpid take on randomness?’

We love animation of all stripes and colours! Animation in pixillation and stop-motion by Papermoon Puppet Theatre (Yogyakarta) and Ma Petite Crokette (France).

with Clarissa Chikiamco, Sooshie Sulaiman & Ho Tzu Nyen: “In the year 2010, do Asian artists need to make art about their ‘Asianness’ in order to be included in a triennial?”

In America the use of blackface is cringe-worthy and condemned. In Malaysia it pops up everywhere…but what does it mean?

Mind blowing! That was how Adeline describe Cai Guo Qiang’s exhibition in Taipei. In the spirit of sharing, here are some pictures of their recent trip.

Filmmaker/conceptual artist Chi Too’s “You and me put the ‘you’ and ‘me’ in ‘you and me’ (part two of many) aka where are you on a day like today”

It’s holiday season. Again! Valentine’s Day is also upon us, but some of us only have love for sci-fi. If you haven’t figured out where to go yet, here are some gaga galactic suggestions from ARTERI.

Sopheap Pich has looked deep into himself – and also into the psyche of Cambodia – to investigate the troubling currents swirling beneath the surface of daily life.

A reunion of the photographers who participated in last year’s KL Photo Awards, the finalists, the judges and much much more.

To truly discover the camera one must, in Wawi Navarroza’s words, “unlearn the ropes,” start from scratch, the utter violence of beginning once again.

Is contemporary art in KL just a beauty pageant of images?