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Why so ssseriouss? Artist as joker

Posted by on Thursday, 2 April, 2009 at 11:20 AM. Filed under: Essays

We have a new Prime Minister! If I had said that yesterday, I would have been able to wipe that glum, ponderous look off your face with ‘Haha! Just kidding! April Fool!’. Unfortunately, that wonderful day in the year when nothing can be taken seriously is no longer with us – slipped away completely unappreciated, as so many things do.  Today, 2 April, Kampung Malaysia really does have a new Person-In-Charge. HRH the King announced his pwnage consent just hours ago.

84_2_mel
“Jester on Horseback” (1905), Pablo Picasso, Oil on composition board, 39-3/8”H x 27-1/4”W
Virginia Museum of Fine Arts, Richmond. Collection of Mr. and Mrs. Paul Mellon

Photo: Katherine Wetzel © Virginia Museum of Fine Arts

1 April always makes me think about court jesters. They were popular during Europe’s Middle Ages. It was the time of feudalism, of kings, queens, lords, ladies, vassals, fiefs and bad hygiene. A jester’s job was to literally play the fool in royal court – juggle balls, tell jokes and make inappropriate comments at inconvenient times. They were often perceived as mad, in addition to being useless, and were thus allowed to say things that would have gotten any ordinary person’s head chopped off. Like two sides of a coin, this freedom of expression existed only because of their position as the sole members of society with no vested interest in the constant struggle for power.

And what of today? In the present kingdom of Malaysia, in this feudal land far far away, art has no power, seeks none. Artists are fools, and depending on which way you look at it, we’re powerless… or free. We speak of freedom, but we don’t know what it means. In a deck of cards the Joker is the wild. In games that use it, the Joker can usually be played at any time or take on any value, but it is not a winning card.  Alone amongst the Kings, Queens, Aces and all the way down to the meanest 2 of Hearts, Joker has no value and no function except its independence from the rules of the game.

Consider this my way of sticking my tongue out and going ‘neh neh neh nehhh neh’ at that tired old argument between ‘art for society’ and ‘art for art’s sake’. It’s time we accepted art for what it can and can’t do, and for what it alone has the power to do. We need to stop moaning about what function artists play in society and get on with the work of building a stronger, more independent and vibrant art community. I suspect that there is a joker in everyone out there, aching to join us.

wac_72e
“Le Fou (The Jester)”, Pablo Picasso, 1905, Bronze
Collection of Walker Art Center
Gift of the T.B. Walker Foundation, 1956

~

(SC)

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7 Comments

  1. woff says
    03/04/2009 11:46 AM

    Lewis Hyde’s “Trickster Makes This World” would be perfect reading for the occasion! Creativity and mischief-making, hand in hand.

  2. Daniel says
    03/04/2009 12:48 PM

    Hi Sharon,

    I think the best manifestation of the trickster in the modern world is ‘anonymous’:
    http://encyclopediadramatica.com/Anonymous

    Related –
    Paula Scher:Great Design is Serious (Not Solemn)
    http://www.ted.com/index.php/talks/paula_scher_gets_serious.html

    DC

  3. Sharon says
    05/04/2009 11:14 PM

    DC – Yip, gotta agree. Anon is pretty much the ultimate Puck. All for the lulz.

    Woff – “voracious appetite, ingenious theft, deceit, opportunism, and shamelessness” – all characteristics of the trickster. Gotta read it sometime…

  4. weebum says
    06/04/2009 7:16 PM

    SC I really LOVE this analogy you’ve made! Oh the freedom!

  5. Daniel says
    10/04/2009 12:40 AM

    oh lovely synchronicity :D this just came out on ted

    ‘tricksters change the world’

    http://www.ted.com/index.php/talks/emily_levine_s_theory_of_everything.html

    Philosopher-comedian Emily Levine talks (hilariously) about science, math, society and the way everything connects. She’s a brilliant trickster, poking holes in our fixed ideas and bringing hidden truths to light. Settle in and let her ping your brain.

  6. Yusuf Martin says
    10/04/2009 9:28 AM

    Marcel Duchamp – Urinal, need I say more

  7. ah Fei says
    13/04/2009 2:39 PM

    Milan Kundera said-Joke and humour always was the western art traditional.

    when come to 1930 Picasso used Minotaur to represent him in painting rather than jester(his used most in blue and rose period),he become an angry or silly monster….
    later years…his more concetrated to the artist(old man) and his model(young girl)…

    Young Redza Piyadaza was used to like jester also,and… young talented Ibrahim hussien painted himself as a monkey smiling……the humour,joke…. now we are more cynical..

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